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Richard Meier, Architect, Vol. 3: 1992-1998, by Richard Meier
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About the Author
Richard Meier received his architectural training at Cornell University and established his office in New York City in 1963. Since that time, his international practice has included museums, courthouses, city halls, corporate headquarters, educational facilities, and public housing in addition to private houses. He has received numerous awards for his work, including the Pritzker Prize for Architecture and the Gold Medal of the American Institute of Architects.Kenneth Frampton is Ware Professor of Architecture at Columbia University's Graduate School of Architecture, Planning and Preservation. Joseph Rykwert is Paul Philippe Cret Professor of Architecture at the University of Pennsylvania.
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Product details
Paperback: 432 pages
Publisher: Rizzoli (June 12, 1999)
Language: English
ISBN-10: 0847820483
ISBN-13: 978-0847820481
Product Dimensions:
9.8 x 1.3 x 9.9 inches
Shipping Weight: 4.5 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#502,186 in Books (See Top 100 in Books)
Book arrived as promised. Quality was almost like new and better than expected. Very happy customer! (and still loving Meier)
always recomended... thanks so much!!! You guys are awesome, i bought a used book but thequality is like NEW... ALWAYS AGAIN!!!
Great collection of what I consider some of Richard Meier's most iconic works. Photography is beautiful, a must in an architectural library.
This is the third volume of series that captures the tireless work of Richard Meier who has taken simplicity and made master pieces. In his first volume he discusses white in this book it is the evolution as an architect.The Getty Museum is discussed. I have been to it as it sits on a mountain top capturing the beauty of Southern California in the backdrop of the city of angels.Meier notes in the preface that "if we are to create new and meaningful places within our cities, we need to have not only a sense of our common social and spiritual aspirations but also a feeling for the traditions from which our society stems."
To those very few of us who are in architectural circles, Richard Meier is a common name. I know that I quickly bought the first two volumes of his books upon entering Architecture School, and put my name on a waiting list for 3 months to get the third volume. When the book arived, I was a little disappointed at the haste in which the book was put together. It seemed to me that they were in such a rush to put out another volume of his work, that the quality of it suffered. Many of the projects shown in this book, are just completed versions of what was in the planning phases in his second book. Another disappointing feature of this book is that almost one quarter of it is dedicated to the Getty Center. I guess the reason that it seemed so spurious to me is that I had volume two AND a book on the Getty Center before purchasing this third volume, so there wasn't much new information to sink my teeth into. My recomendation is this: If you have the first two volumes- Don't be in any hurry to buy this book. It's already familiar to you, and you'll be let down.If you don't have the first two volumes, or are new to architecture: Go and buy this book immedeately! This is a great book for you to become familiar with one of the masters of modern architecture. You'll like what you see
This 3rd in a series monograph by Rizzoli is a must-have addition to any serious architectural book library or to fans of Richard Meiers work. The numerous color photos are top rate, and together with a large number of drawings give a thorough overview of one of the top designers of today. The many photos in particular attest as to the successful completion of previously anticipated projects which have been in the pipeline, while new drawings herald new masterpieces to come.
The Book is Great. If you love the style of Richard Meier, you sure would love this book too.
Will decrease a many help to you. But it is inconvenient for the photograph to be insufficient.
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